Wednesday, January 13, 2016

RAIN BOWIES, LAZARUS AND RESURRECTION

I see meme's that a heavy metal is going to be named after Lemmy of Motorhead.  Someone posted a meme saying that Bowie should have an exotic reef fish named after him because of his colourful personas over the years.

On Sunday a giant rainbow appeared over New York City.  A "rain-Bowie" a woman on facebook called it.  (This link shows all the photos of the rainBowie.)  The link describes how "Starman" was partly inspired by "Over the Rainbow".





I don't normally associate Bowie with a lot of Christian symbolism, but looking at the "Lazarus" video I was struck that his last album's first single was named for a resurrection, the album was released on a Friday, Bowie's birthday, and he died on Sunday.

Bowie's resurrection was to return to the womb of all creativity.  "Look up, I'm in Heaven."  And here was the corpus of Iris to show the path to the next realm.  Bowie is painting on a larger canvas now, for all to see.  We only have to look to the sky, to the astral, to Heaven.  Now there truly is a Starman waiting in the sky.

EDIT: 15 January 2016: A great article about Bowie's occult symbolism... A must read for Magickal Folk, CM's, Kabbalists, and Bowie Fans...

I believe in celebrating one's birthday- even if just singing to yourself a "Happy Birthday" song- because the door you come in to this life is the same door you exit out of life.  And it seemed appropriate to me because I do see Bowie as a God.  He was definitely a World Walker.  And a Shaman.

I might form a church called "RainBowie" or something.


EDIT/PS: I see Bowie faces in the cloud shapes.  I guess I will be like one of those Elivs fans that is always seeing faces in pancakes and stuff.  Maybe when an artist means that much to someone you see them everywhere after they are gone.

Saturday, June 8, 2013

DUFF'S REMINISCES, DANIEL, AND DOMINATRICES

Duff's in the Central West End is closing after 41 years of business at the end of June.

I associate Duff's with Lawyers and Poets. The high ceilings and solid wood pew-like tables and chairs create an atmosphere that summons the erudite folk for pints and educated conversations.

Most of my recent memories from Duff's, since moving back three years ago, are from Chance Operations,   I attended the premiere Chance Operations and I hope to attend the last one that will be held at Duff's, on June 24th.  (It is rumoured they will be moving to another location.)

Also a Secretary's Day luncheon with an attorney employer, a few random drinks, on a few different nights, with a few different people, going between Brennan's and Balaban's or Dressel's.

One of the strongest memories I have is a night at Duff's back in 1983 or so.  When I was 15 I became a radical political activist.  A bit of a recap for anyone that doesn't know my history: shortly before I turned 12 I had started drinking, having sex, and smoking cigarettes.  Drugs followed quickly.  I was a runaway, often on the streets, and living an extremely sexualised life involving too many older and often very dangerous men.

During the summer of my 15th year I was desperate to get away from the life I was living.  I initially embraced punk rock and revolutionary communism because it scared off all the men I didn't like. I cut my hair short and started hanging out in the Delmar Loop and Central West End with punk rockers, people of colour, and homosexuals. It was like magic.  Poof!  Suddenly I was free of all my old ties, with very little drama, threats, or bodily harm.

However,  I continued to be an activist for the next nine or ten years because of experiences like that night in Duff's, 30 years ago.

One thing that I did almost every day as a political activist was to sell revolutionary newspapers. Daniel Sheehan of the Christic Institute was speaking at Washington University Law School, and I went (alone, I think) to sell papers to the crowd waiting to go in, and also to attend.

(The question and answer period of talks like these were considered as important as selling the newspapers.  Because often a question could be framed in such a way as promote propaganda and invite debate on the revolution.)

I knew who Sheehan was because of the Silkwood case and Kerr-McGee.  The Christic Institute had become a major source of information about the deeds of the US government and corporations.  In addition to Karen Silkwood, the Institute had been involved with the La Penca bombing (the movie Above the Law with Steven Seagal was based on the information uncovered by the Christic Institute) and defended many other activists, including both of the Berrigans.

Afterward I ended up in conversation with several other attendees and Sheehan himself.  He invited me to come with his party to Duff's, along with Wash. U. professors and students and attorneys.  It was not just the thrill of being included, but to be taken seriously by someone like Sheehan.

In the last three years, without all of my many journals and diaries and scrapbooks  to assist me, my memories have become somewhat eroded.  This night is still very strong, but the details are gone-- what questions I asked during the Q&A, what Sheehan and I discussed, etc.  Those things were recorded in archives I do not have access too, currently.

I recall that he asked me a lot of questions.  I was somewhat infamous for turning my High School upside down, attempting to bring two controversial Salvadoran refugees to speak at assembly.  (They didn't make it to the High School, but they did end up speaking at the College next to the High School.)

At that time in my life I'd had very few experiences with men that weren't sexual.  I had a distant, stern uncle that visited my grandmother once a year, and a crazy grandfather (a former attorney) that I almost never saw and was embarrassed of when I did.

Even the "nice" boys from my grandmother's neighbourhood (where I went to High School) were always groping me in private, or cornering me, or seducing me.  (I ended up with the not nice boys because at least they still acknowledged me after they got what wanted.  Even if it was angry or abusive, at least it was male attention.)

To not only have a man like Sheehan paying attention to me because of my MIND was unbelievable.  I had been having other experiences like this, with other revolutionaries and activists, but Sheehan was a kind of radical celebrity.  And while I don't remember the exact details of the questions, I do remember that he was genuinely interested in my life and who I was.  If his libido had anything to do with it he hid it very well.

This memory is so strong, and warms me still on the coldest nights, because Sheehan's attention elevated me.  While I might have understood that on some unconscious level, it came to me like an epiphany when I saw the notice about Duff's closing in my facebook feed.

Just recently I was having a conversation with someone about the different types of Dominants and Submissives.  Or perhaps methods of Domination and types of Submissives.  It isn't all about flogging and ball torture.

In fact, there are many Dominants that do not engage in anything physical.  The relationship can be entirely mental or emotional.

But in particular I was relating a story from my own experience, when I was very interested in and learning about the BDSM community and lifestyle.  Too Dominant to train as another's Submissive, "learning the ropes" so to speak, I called a Submissive I knew and ordered him to be my Slave and teach me to be a Dominant.

One of the first things he taught me, and a common misunderstanding outside of the community, is that there is a big difference between humiliation of the Sub, as the lesser in an unequal relationship, and the type of Dominant he wanted and thought me to inherently be.

That is, the Dominatrix, without even uttering a word, is so powerful to the Submissive, that not only is his submissiveness summoned and then commanded by the Mistress, her power is such that it actually ELEVATES the Sub.

"When you fight Xena and she kicks your ass," he told me, "you become one of an elite group of warriors that has even FOUGHT Xena, or encountered her."

I suppose this reminisce is not so much about Duff's, itself, but for me this warm memory of my encounter with a truly amazing and inspiring man, that alone would be enough to keep the place alive in my heart until the day I, too, retire.

RIP Duff's.

BLESSINGS!

Friday, January 25, 2013

YOU'LL HAVE HAD YOUR BURNS NIGHT SUPPER THEN, HAMISH?

2014 Edit: And this http://laladyrae.blogspot.com/2014/01/slainte-mhath.html

The moon is full tomorrow night in beautiful sunny Leo.  And here tonight there was a wonderful, pearly moonbow.  What a gorgeous light to seduce and celebrate some poetry!




Tonight is Burns Night, the birthday celebration of the Scottish poet Robert Burns.  Haggis is paraded about and recited poetry to and then consumed.  (The Scots national dish is most demonstrative of the national character: "we're not cheap, we're frugal!")

Have a toast of some fine Scotch! Slainte!

The title of this post comes from: Hamish and Dougal

Robert Burns, Auld Lang Syne sung by Eddi Reader

Selkirk Grace

Great Chieftain o the Puddin Race!







Thursday, December 6, 2012

POEM: ODE TO SCROTUM, 2006

I am the cock's scrotum sac,
Listen and hear my plea:
I am handsome to the ladies
Best aquainted with me!

Those that know me well,
Squirm in pleasure at our greeting!
And weep and cry, and moan with delight
Upon the occasion of our meeting!

September 22, 2006

POEM: NOMADS(1995)

NOMADS

In my grandmother’s
Twilight hours
Dreamt of
Dark dusty night:
A long journey
I walked alone.

I arrived
Cottage of my own sunset;
No light from the window,
No arms at the door.

Let myself in
Stirred ashes
Stoked fires
Made dinner.

Wept in silence
At the solitary hearth;
Shadow play
On my wrinkled hands
Reminded me
My body in youth:

Straight bones
Clean blood;
No stretch marks
No sag
Smooth skin.

Skyward curve
Of breasts and buttocks,
Before men
Before fear
Before (look away, say quickly in one breath)
Drugs, rape, pregnancies, pain.

Before a broken heart.

I had this dream
Before Nonny died.

Then a dawn came
My grandmother
Did not return from
Night.

I came back
From this Carnival
To this
Lush land (where silent snakes curve
deadly like
rivers
and my reflection lies
coiled in eyes
I’d rather forget;
I remembered why
I left
the moment I returned).

Here
I am a ghost;
I can remember
Before I was born.

Old Grandmothers,
I remember,
Walked Highlands at dawn,
Beaches at dusk.

I remember
A new country
A missionary’s life;
I remember
Boston streets
A wealthy Englishman’s wife;
I remember
White frame house
A poet and painter.

I must not forget
A candy maker
Whose hands
Lie folded
In my lap.

I remember
First Grandmother
Drank scotch,
Danced a jig,
Cursed First Grandfather.

I remember
What First Grandmother
Told her daughters;
I remember
First Grandfather
Never returned for long.

First Grandmother
Never told
Of lonely twilight
Lengthening
Into night,
And no fire kindled
At her last hearth.

My own grandmother
Whispered it sometimes
When she could find me;
And how rare that?
Me, whole,
Away from Circus;
I have wandered so far.

Her gnarled hands
Would grip mine
Like tree roots
Seeking earth;
Time to stop these
Generations of roaming,”
She’d say;
I have my
Hopes on you.”

Then she’d
Teach her crafts:
Candy-making and story-telling;
Different from those
Her grandmother taught her;
But, “Any craft will do,”
She’d warn me;
Something to exchange for
Welcome at another hearth,
Even a Tinker’s campfire.”

I’d look away
Wondering
If she knew
How many
Gypsy boys
My body nourished
Before I trusted
My own crafts.

I know why
Never my children
Cradled my arms;
I know why
Never I lay
Wrapped warm
In Highland Shepherd’s plaid:

Nomads, we
Whose hearts
Became brittle
When men failed
Firelight vigil;
Unprotected,
We learned
To keep warm
Alone.

Nomads, we
Who chase hearth fires
Of others;
Refuse to use
Broken bits
Of our own
Unforgiving souls
To kindle a spark,
Bring Grandfather back.

I drink old scotch,
And dance a jig;
I know how
To keep warm;
Still, I cry out
For Grandfather’s son
To return
Without shame.

I sleep with a new dream:
A twilight croft,
Two grandparents
Well wrapped
Lie warm.

Dusk deepens
Fires fade
Soon enough
Without a curse.

Final draft 20 December 1995

copyright

Monday, December 3, 2012

CHANCE OPERATIONS

I went to Chance Operations.  It was JK Publishing night.  This is all local poets.  www.jkpublishing.org

They published Bob Reuter's new book. I really enjoyed hearing Bob!  He is a true Renaissance Man and is always doing something interesting. Photography, radio show, musician, poet.  He is also the subject of a movie!  He is a genuine St. Louis unique, nowhere else in the world, man. 

Chris Parr read from his new book.  Going to Find It. 

I read Seamus Heaney's "Undine".  I also read two poems of mine.  I posted them seperately.

The first was from my Holiday Greetings in 2004: Birds Of Prayer

And one I wrote with in the last week or so, mostly today.  (Chance Operations inspires me! :)

The Moonlight Tells Her Secrets.  I might be editing this one a bit.

As always, it was a great night!

POEM: THE MOONLIGHT TELLS HER SECRETS

I have shone upon you, and
upon all of your grandmothers,
every one.

I have lain among the fragrant
sandalwood forests with
dark-eyed men
and made romantic
the guilt edges
of their sharp scimitars.

I have caressed the breasts
and smooth thighs of
lush maidens on the floor of jungles,
and danced across the thorns of thistle
on moors
inhospitable and alien
without me.

I have touched the
rarest flower as she bloomed,
and also as her last petal withered and fell
to the ground.
I have ridden
the broad whale's back
as he spiraled above the ocean,
and as he disappeared into
the water again,
dove back down
far below
out of my reach

and left me to mourn on the surface
of the smooth sea,
for stormy weather and white capped waves.
You ask me
how can I love
such an ordinary place,
average people,
undistinguished streams and woods
without distinct character?

These few ragged weeds in an urban sidewalk
crack?
And ghetto palm trees,
their scent
blending with the stink of the sewage-runoff
wash that is pregnant with trash,
dry and stagnant,
rarely clear with stream--

How could I love such as this?

You ask me
because you think it would be better
if I had found you
gazing at me from the base of
the Taj Mahal
or beaches of Bora Bora.

Can you not see that
I love you all
equally?
The scimitar and the palm fronds
and the sea and the
dry wash, I love them all
the same.

I love you. And I love the kings,
and the sandalwood forests
and the soft bellies and backsides
of agile maidens. And I love
the sleeping larks,
swooping bats,
mating frogs, and

the drunk man ordering tacos at
jack in the box drive thru at 2 AM,
wondering if his wife will let him in
when he gets home. I love him and I love
the self-immolating monk
in Myanmar, lighting
the predawn capitol streets
with a glow that seems warm
and inviting,
from an ignorant distance.

I love the piles of rubbish,
and the empty lots,
and the ancient icebergs in the Arctic seas,
and the bloody battlefields
filled with fallen heroes.
I love the maggot and the murderer,
the wolf and the lamb,
the cockroach and the Kephri,
I love them all the same.

I love everything that you are,
and I illuminate everything
that you might choose your
path, and make your way.

I love you so much that I
would spend eternity
in the darkness,
my gaze mesmerized, turning,
undulating
over you as you stand beneath
those ordinary cottonwoods,
by that undistinguished creek,
in an uneventful city.

All have my blessing.
All are part of the night.
All may share the bounty
of my light.

I love and I find love.
I love and I find you.

I shine upon you,
and you shine upon the night.

Copyright 2012